It provides a thorough exploration of the novel’s plot, characters and main themes, including war, guilt and disease. When Paneloux suggests that such a thing passes human understanding and they ought to love what they cannot understand, Rieux replies that he has a different conception of love and will never be able to love a scheme of things in which children are tortured. He was a human being and though he was a criminal, he was to be killed. Grand falls ill with the plague and anguishes over the futility of his manuscript. The company plays one show every week. When his father sent a letter, Tarrou told him forthrightly that he would kill himself if forced to return. It the beginning, he is rather on the side of resignation and accepting the plague as a divine punishment, but he ends up joining the fight, also with the use of his spiritual weapons. Rieux is bending over a patient, lancing the groin. After a long inoculation process, Rieux, Paneloux, Tarrou, Grand, and Dr. Castel gather to observe the effects. They feel free from the town and the plague, and are âconscious of being perfectly at one, and the memory of this night would be cherished by them bothâ (257). The Plague. The Plague Summary. The author told us the events happening during the plague in the city Oran on the Algerian coast that counts only 200.000 citizens. The characters in the book, ranging from doctors to vacationers to fugitives, all help to show the effects the plague has on a populace. He is under immense strain and is prone to excesses of sentimentality and musings about Jeanne. 559. The Plague is a novel about a plague epidemic in the large Algerian city of Oran. It provides a thorough exploration of the novel’s plot, characters and main themes, including justice, society and the Absurd. The Plague, published in 1947, was Albert Camus’ international breakthrough. He finds Tarrou in his office, who tells Rambert he is reluctant to let him in because he is trying to spare Rieux as much as possible. The Plague study guide contains a biography of Albert Camus, literature essays, quiz questions, major themes, characters, and a full summary and analysis. His father let him have his way. Tarrou replies that it is the path of sympathy. The other men are silent. He once felt alone in this town but now he feels a part of it whether he wants to be or not. Continuing, he speaks of the story of how only four of more than eighty monks at one monastery during the Black Death survived, and three fled. The Plague, a novel written by Albert Camus and published in 1947 has a large cast of colorful characters that help tell the story of people dealing with plague and quarantine in the town of Oran. When a mild hysteria grips the population, the newspapers begin clamoring for action. His mother came to live with him after his father died. People immediately react to their sudden isolation by yearning for their loved ones outside Oran. Full Title: The Plague Author: Albert Camus Year: 1947 Genre: Fiction, Novel Publisher: Vintage International ISBN 0-679-72021-9 (trade paperback) Wikipedia page; Author’s Wikipedia Page Summary. At first, everyone is in denial. Paneloux rues that he has not convinced him, and Rieux responds that it doesnât matter and nothing can part them now. "The Plague" is one of his biggest affirmations of his desire for social solidarity. Rieux takes the boyâs pulse and silently urges it to match his own. (Marco Di Lauro/Getty Images) Directed by Luis Puenzo. Albert Camus (/ k æ ˈ m uː / kam-OO, US also / k ə ˈ m uː / kə-MOO, French: [albɛʁ kamy] (); 7 November 1913 – 4 January 1960) was a French philosopher, author, and journalist. 9782806269140 50 EBook Plurilingua Publishing This practical and insightful reading guide offers a complete summary and analysis of The Outsider by Albert Camus. Monsieur Othonâs young son is sick and the family is quarantined again. Rieux softly says he will stay with him. The Myth of Sisyphus. He cannot get comfortable and stares straight ahead into the void in between paroxysms. The camp manager comes up and tells Tarrou and Rambert that Othon wants to see them. Some might say this smacks of fatalism, but to him it is an âactiveâ fatalism. La Peste, the original French title of the novel, translates to The Plague in the American edition. Grand grows sicker and sicker, but has moments of lucidity. The brothers are not there very often, but their old mother is kind to Rambert. The authorities finally arrange for the daily collection and cremation of the rats. resource to ask questions, find answers, and discuss the novel. Albert Camus is a famous and complex personality of French culture. Tarrou begins his story by saying he already has the plague. And rats may still return one day to invade such a happy and victorious community, but people will however not lose the joy of the fight's remembrance. As he comes to his conclusion, Paneloux says he knows this requires total self-surrender and it is a hard lesson but that they must âaspire beyond ourselves to that high and fearful visionâ (228). This old woman is honored by his presence but comes to be annoyed with his fatigue and his reticence. He was interested in the death penalty and became an agitator against it all over Europe. The motto of the novel quotes Daniel Defoe and it thus turns the events presented in the novel into a parable of the common man's fight with evil, which he defeats only temporarily. Rieux happily agrees and the men go down to the beach. At this same time, such a pattern repeats in a girl at the hospital: she has all the symptoms of pneumonic plague and seems fated to die, but recovers miraculously. In the economy of the novel, plague acts as a character in itself alongside its human counterparts. Albert Camus, much like Nietzsche did not believe that death, suffering, or the human existence had any underlying moral or rational meaning due to the fact that he did not believe in God or even an afterlife for that matter. The Plague tells the tale of a fictional outbreak of plague in the real city of Oran, Algeria — the same country where author Albert Camus was born. Eugene Hollahan reminds readers that Tarrouâs motivation for fighting the plague is his own private code of morals; his âtroubled intellectual stance contrasts with the doctorâs simple statement that his own motivation for fighting the plague is sympathetic outrage at human suffering.â In his identification with the cat-spitter and pear-counter, he âindicates his own deep tendency toward abstraction and transcendence.â He cannot travel the path of sympathy to its end, and dies of the plague. Rieux suggests they go home, but Grand frantically runs away, then falls onto the ground, clearly ill. Tarrou and Rieux take him home, and as he has no family, they decide to let him stay in his home instead of being evacuated. In this section, nearly all of the characters undergo psychological and/or physical crises. They can see the horizon and the sea meeting in a dim blur, stars sparkling, and the lights of the lighthouse flashing. Paneloux muses bitterly that this means his suffering is worse. Rieux sighs that he does not know what is right, and he should do his bit for happiness. He knows nothing is worth turning down love but he himself is doing it and he does not know why. They float and drift, completely at peace. Rieux is even more convinced of the absence of God, for the death of this innocent child is unfathomable in a world where God putatively loves all of His creatures. He felt sick. The ward is stiflingly hot even though fans whir above. He says that no person can lift a finger without the risk of bringing death to someone else, and this is why everyone has plague. It is an entertaining piece until the very end, when the actor playing Orpheus seems more and more overcome and falls grotesquely down. The Plague is considered an existentialist classic, despite Camus' objection to the label. Tarrou notes that they all have vacant gazes and seem to have forgotten what life really means. These papers were written primarily by students and provide critical analysis of The Plague. He thinks they should all be like the one who stayed. Rieux meets with Othon after he gets out of the isolation camp, and the magistrate shocks him by saying he wants to return as a government volunteer, for it would be the only way to be close to his little boy. However, the only thing Tarrou could focus on was the criminal, who was most definitively a man. Since he, Tarrou observes, âhas learned what it is to live in a constant state of fear, he finds it normal that others should come to know this state. When Rieux mentions this to Tarrou later, Tarrou says it makes sense, for if Paneloux wants to hold on to this faith he will do so until the end. Analysis. Once the gates of the town are shut, the plague becomes everyone’s concern – no one is trying to ignore it anymore. The newspapers promote optimism at all costs, and seeing the true heroes and reality of the plague is only possible when going to quarantine depots or isolation camps. He points to Rambert. Rambert understands, but awkwardly repeats his request. Rieux says he is done, and they can go out together. The Plague Summary. They first were full of chatter but now they are silent. Yet he is taken away by the plague, and the pneumonic version of the plague is spreading quickly. He does not believe anymore that the plague is punishment for the sins of the people, but it is still mysterious beyond manâs measure and ultimately one must trust in God regardless of the inscrutability of His plan. Thus all of these characters undergo a process of initiation, of understanding the great implications of such a misfortune, until they decide to work together for their mutual benefit. He remains for several weeks. The characters are unequally involved in this terrible fight and the final conclusion is that people have more things to admire than things to despise. His death-cry is fiercely angry, and picked up by others in the room. The Plague literature essays are academic essays for citation. "...Rieux remembered that such joy is always imperiled. When he turns and sees Rieux, Rieux is struck by the manâs sorrow. He âtook a horrified interest in legal proceedings, death sentences, executionsâ (248) and could not help knowing what his fatherâs role in such thingsâsuch murdersâwas. Rambert runs a quarantine station at the hotel and Grand is dealing with the facts and figures that come his way. This writing was in fact conceived as a sort of rather late replica to another of his novels, "The Stranger". In 1947, when he was 34, Albert Camus, the Algerian-born French writer (he would win the Nobel Prize for Literature ten years later, and die in a car crash three years after that) provided an astonishingly detailed and penetrating answer to these questions in his novel The Plague. Panelouxâs face is drawn with grief. Albert Camus's The Plague Chapter Summary. Rambert replies that heâd be ashamed of himself if he did not do the right thing. What was the status of life in Europe in terms of faith, technology, and trade before the Plague arrived? Summary Of Albert Camus's The Plague 846 Words | 4 Pages. Rambert chooses to stay in Oran even though he can get out, realizing he needs to choose a love for the collective rather than a personal love. He adds, though, that he knows he and Paneloux are working for the same thing and they are united beyond blasphemy and prayers. "The Plague Part Four Summary and Analysis". Around the end of October, it is time to try Castelâs anti-plague serum; for Rieux this is a last hope. The boy stiffens and relaxes, and repeats. The gods watch the unfolding calamity with arms folded either unwilling or unable to do anything. Paneloux sits with him and agrees that they are both working for salvation. The old woman at the home tells them to check out the roof terrace, from where they can get a lovely view and fresh air. They meet with the tired man, who asks if his son suffered. He is rather aloof from Rieux and Rambert but seeks Tarrou out. In the interim between sermons the people have become less religious and more superstitious. One day Tarrouâs father invited him to hear him speak in court. The cemeteries are unvisited, as the dead are no longer thought of as the forsaken who must be visited once a year; rather, they are intruders. Finally the boy issues a terrible, long scream and clutches his blankets. There is no cheer, no celebrating. Or perhaps it should be put like thus: fear seems to him more bearable under these conditions than it was when he had to bear its burden aloneâ (199). Of moderate height, dark skinned, and broad-shouldered; he has dark steady eyes, a big, well-modeled nose, and thick, tight-set lips. People seem less interested in reading the news when they once clamored for every scrap of it. Rieux sees that same phrase and all of its changes and corrections, and Grand croaks at him to read it, and, when Rieux does, to destroy it. 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